I have a new piece, “Centrifugal Momentum and the Points to which We’re Affixed” that has just been released in Sein und Werden’s “Mappa Mundi” issue. Sein und Werden is a small publication out of the UK, but the work that their editor, Rachel Kendall, manages to dig up is consistently interesting and intelligent, and I’m thrilled to have work appearing in their most recent issue.
“Centrifugal Momentum and the Points to which We’re Affixed” is a story primarily about a woman who’s driven to live her life according to a set of personal guidelines that differ from societal proscriptions, and who thereby refuses the material trappings that bind most of us. It’s also kind of a love story? Or there’s a kind of love in it. And there’s a man. Anyways, the story is built on the turn of phrase in a way that I think has a poetry to it, and I hope you enjoy.
SEIN UND WERDEN, THE MANIFESTO:
‘Sein und Werden’ is a quarterly online and print journal published by Manchester’s ISMs Press. The title comes from the Expressionist concept of Sein und Werden – ‘being and becoming’, the notion that we are born as nothing and only through experience do we become who we are (an idea shared with Sartre in his work ‘Being and Nothingness’). Using certain techniques of cinematography to create lengthened shadows, twisted stairways and a distorted mise-en-scène, the Expressionists were able to depict a nightmare world that would later influence a number of other cinematic developments, such as film noir, aswell as leading artistic movements. One such group who owed much of their technique to Expressionism were the Surrealists, who played with these concepts to create bizarre images of the subconscious, making use of dreams and automatic writing. The goal of ‘Sein und Werden’ is to present works that evoke the spirit of the Expressionist, Existentialist and Surrealist movements within a modern context, which I like to call ‘Werdenism’.
The aims of Sein und Werden are to:
– Publish a quarterly collection of multidisciplinary work that incorporates elements of Expressionism, Existentialism and Surrealism, both online and in print.
– Accept submissions that broaden and emphasize the ideas behind Werdenism. As it stands there are a core group of artists whose work I feel embodies the concept of “Werdenism”. However, we are always looking for new blood and we are always open to submissions of new work as long as it exhibits the Werdenist gestalt. All work accepted shall remain copyright of the author/artist.
– Provide a theme for each issue (suggestions for future themes are encouraged). Submissions will not be restricted by the theme, although themed pieces will take preference and any other material may be held for use in a future issue, with the artist’s permission.