Tag Archives: retort magazine

Retort Magazine – “The Drive Home”

All right crazy nebulous audience that I don’t believe exists.  If I did believe you existed, I’d never have the balls to publicize this particular story.  It’s titled “The Drive Home,” and is about a man somewhat confused in his spirituality.  It’s a weird little piece, the work of a disturbed man, but I love it, and I knew the folks at Retort would love it too, so I sent it their way.  To my delight, they accepted it.  This is the second story of mine that has been published by Retort, which means that I love the editors over there, and, were they not located on the other side of the world, I would probably figure out a way to hang around outside their office/homes, smoking cigarettes and tapping on their window panes in the middle of the night.  What?  It’s how I express my love.

Retort Magazine is dedicated to the publication and presentation of new innovative, experimental cutting edge art + text in all disciplines. Retort Magazine publishes both fiction and non fiction. Retort has published some of the worlds best known artists and writers but is also a platform for new and emerging writers and artists. We favor the cutting edge over the blunt of the handle, the avant-garde over backward walking, the delinquent imagination over the hammered economic mind. We publish whenever something interesting arrives in the inbox.

HISTORY

Founded in the laundry of an old queenslander behind a gas station in Brisbane in 2001 by Australian poet/writer Brentley Frazer RETORT was originally conceived as a spinoff to a live poetry/music/art/performance event called The Vision Area. The Vision Area was a monthly ‘culture jam’ started by Brentley and poet Adam Pettet and hosted by Ric’s Bar in Fortitude Valley, Brisbane, Australia. The Vision Area ran from 1998 – 2000 and only ended when the co-ordinators felt they had drained the talent pool.

In the beginning Retort was published as a bi-monthly online magazine. In 2003 after receiving a development grant Retort moved to an experimental ‘live’ format with new content being published whenever something cool arrived in the submissions inbox. After the experiment was deemed impossible by the exhausted editor (without the budget of at the very least a mid-sized newspaper in a large city), Retort resumed publishing on a semi-regular basis and has continued, throughout a whole decade, reaching millions of individual readers.

Retort is now based wherever the Editor is – which is usually somewhere on planet Earth.

Retort Magazine is archived on site and since 2003 also by The National Library of Australia as part of the Pandora Project which aims to permanently preserve electronic publications based on their national and cultural significance.

Retort - store-closed-485x728

UPDATE:  Sadly Retort Magazine has closed down.  In the words of the magazine’s Editor, Brentley Frazer:

12.5 years. Enjoyed a huge readership in the 00′s. Broke some ground (and a bunch of rules). Had a good time mostly. Would have loved to grow it into something huge, like an alternative to the old school greats that have become a parody of their former glorious selves. Retort stayed truly independent, never even applied for a government grant. I refuse to read government endorsed literature or view government endorsed art. Rest assured, the only propaganda you were exposed to while reading Retort was my personal agenda to champion the creative spirit of my fellow humans.

Have a nice life.

best

Brentley

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Picayune (and Retort Magazine) – “Pyromaniacs, Bored and Young”


“Pyromaniacs, Bored and Young” is a touching little tale about a group of teenagers who like to set things on fire.  As is the case with most of my work, it is culled from personal experience.  I really like this story, though it was one of the first shorts that I’d written – so it’s an early Ben Leib piece.  Also, if you grew up in Petaluma, this one might be particularly interesting. Picayune Magazine is a lovely little publication based at New Mexico Highlands University.  They produce a beautiful magazine over there, but unfortunately their limited operations budget ($500 per issue – I honestly don’t see how they keep it going, but bravo to them) precludes printing any extra issues.  They make a few for staff, one each for contributors, and that is it, making this one of the scarcest of Ben Leib publications.  That said, the issue in which the story appeared is unavailable. But, please read on, because there’s a little story to tell here…



When this piece was accepted at Picayune, I do what I always do – I withdrew the submission from the other publications concurrently considering the work.  One of those publications happened to be Retort Magazine.

Retort - Banner

I did my best to withdraw the piece from Retort.  I searched their website, found four different email addresses to which I might address my withdrawal, and the Mailer Demon bounced all four emails back to me.  I didn’t know how to get in touch with their staff, and did not realize that they were in the process of revising their submissions procedures and reverting to an online submission manager. I gave up.  I figured, what are the chances?  What is the likelihood that this one publication will also accept the story?  It was a risk, because I’d promised Picayune that they would be the temporary rights holders, and the sole publishers.  But I just figured that, were Retort to contact me, I would be able to explain my situation and withdraw the submission at that time. Retort Magazine, which, despite all of this confusion, is actually a publication that I’m quite fond of, did accept my piece.  What they did not do was notify me that the piece had been accepted, nor did they notify me when when the story went live. That said, “Pyromaniacs” was available to read online for quite some time. Unfortunately, since release of that piece, Retort has become defunct – it’s a genuine loss, as the publication was airing work that I saw as truly daring and artistic (and not just my own).


Retort Magazine publishes both fiction and nonfiction.  Retort has published some of the world’s best known artists and writers, but is also a platform for new and emerging writers and artists.  They favor the cutting edge over the blunt of the handle, the avant-garde over backward walking, the delinquent imagination over the hammered economic mind.


Retort - store-closed-485x728

UPDATE:  Sadly Retort Magazine has closed down.  In the words of the magazine’s Editor, Brentley Frazer: 12.5 years. Enjoyed a huge readership in the 00′s. Broke some ground (and a bunch of rules). Had a good time mostly. Would have loved to grow it into something huge, like an alternative to the old school greats that have become a parody of their former glorious selves. Retort stayed truly independent, never even applied for a government grant. I refuse to read government endorsed literature or view government endorsed art. Rest assured, the only propaganda you were exposed to while reading Retort was my personal agenda to champion the creative spirit of my fellow humans. Have a nice life. best Brentley

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Filed under Home, Literature, Memoir, Short Story